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Si47ash Fonts Foundry

  • KayKhosrow Arabic Fonts +Latin in 12 Styles

    KayKhosrow Arabic Fonts +Latin in 12 Styles

    Futuristic, modular, blocked, squarish and modernist KayKhosrow font has got 12 versatile styles! The very first Non-Cursive Arabic font which also supports Latin characters as well!

  • Beshkasteh Arabic Font

    Beshkasteh Arabic Font

    An innovative combination between Persian Nastaliq calligraphy and Bannai script.

  • Garmalad Arabic Font

    Garmalad Arabic Font

    A distorted and fun Arabic font which brings a lot of diverse emotions! Playing with standard and traditional way of Right to Left Arabic script.

  • Persian Ruby Font

    Persian Ruby Font

    It’s not fragile, it’s delicate! An Arabic font based on Naskh, and one of my very first font designs. So it’s nostalgic in a form.

Experience the beauty and power of Arabic fonts with the stunning collection of Si47ash Fonts. Whether you’re looking for a classic script font, a modern sans-serif, or something in between like a handwritten, display, grunge, dirty or an exciting color font, this collection has the perfect typeface for your project. 47Fonts are available for licensing for a wide range of uses, from personal to commercial and professional projects. Get them now!

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Don’t Just Take My Words For It:

[About SepidKhan font] Wow. This is impressive work. A great reminder that while Latin Type designers keep the infill coming, people working with non-Latin scripts are doing work of serious importance
James PuckettType designer and founder of TypeDrawers
For my latest book, “Promise and Killer,” I used Persian Grunge and Arabic Scratch fonts [which turned out] to be excellent and completely consistent with the spirit of the film and novel. It also evokes the [mood] of the previous Rasm Cinema books.
Mehdi SadeghiDirector of Rasm Publishing
I designed two books with Hezareh, one for a publisher and one for the “Center for the Safeguarding of Intangible Heritage” (from UNESCO), both of whom were amazed by the soundness of this font and its beauty and readability. I sent a sample to UNESCO friends with dozens of other fonts, and they did not think it could compete with Hezareh at all.
Faramarz ElahiLayout designer and publisher
While designing the Charkhazan website, I tried to maintain the visual identity and brand of the collection, and the effect of the Yaddasht handwritten fonts helped a lot in improving this mood, and I would like to thank its designer for creating this work.
Mostafa AllahyariWeb developer, plugin designer
Thank you for designing high quality Arabic fonts! 47Fonts are used in the banners of the Golponeh website and social media posts. I am working on a 7-volume children’s book series, and I used these fonts.
Hamid JavidMehrEditor-in-Chief of the Golponeh Children’s Monthly
One problem that exists in Persian fonts today is that we need to create new fonts [like 47Fonts] more than we need to modify and repeat old fonts. Other designers are doing a good job, but they spent most of their time modifying old fonts.
Behrang NamdariGraphic Designer